Peter captures fleeting expressions and fleeting interactions between people.
Peter Lambert has been working as a professional painter and printmaker since 1982, but has made a number of forays overseas in that time. In 1994 Peter attended a summer school in painting and printmaking at Long Island University, where he developed a love for solar-plate etching, which is a feature of many of his works.
His work shows his fondness of free flowing painted line, the slight randomness and unpredictability of graffiti spray cans, the colour spilling over edges into other areas. This style of work also echoes the many silk screenprint editions he has produced.
His characters display a distinct individuality; they have authenticity, a sense of movement, real people in real situations.
Peter captures fleeting expressions and fleeting interactions between people.
Peter Lambert has been working as a professional painter and printmaker since 1982, but has made a number of forays overseas in that time. In 1994 Peter attended a summer school in painting and printmaking at Long Island University, where he developed a love for solar-plate etching, which is a feature of many of his works.
His work shows his fondness of free flowing painted line, the slight randomness and unpredictability of graffiti spray cans, the colour spilling over edges into other areas. This style of work also echoes the many silk screenprint editions he has produced.
His characters display a distinct individuality; they have authenticity, a sense of movement, real people in real situations.
Peter captures fleeting expressions and fleeting interactions between people.
Peter Lambert has been working as a professional painter and printmaker since 1982, but has made a number of forays overseas in that time. In 1994 Peter attended a summer school in painting and printmaking at Long Island University, where he developed a love for solar-plate etching, which is a feature of many of his works.
His work shows his fondness of free flowing painted line, the slight randomness and unpredictability of graffiti spray cans, the colour spilling over edges into other areas. This style of work also echoes the many silk screenprint editions he has produced.
His characters display a distinct individuality; they have authenticity, a sense of movement, real people in real situations.
Not wanting to burden viewers with too much detail Peter leaves spaces for the viewer to enjoy his economy of line, the understatement evident in his work.
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From $250.00
From $250.00
From $250.00